Warning: this post contains what I’d consider “spoilers” for the plot of the movie The Whale (2022). If you haven’t seen the movie already, definitely go watch it ASAP, then come back and read this if you want.
I’m late, I know. I’m always slow to see new movies. Even before I had children, I pretty much only ever went to a movie theater if someone else invited me. The last time I set foot in a movie theater was a rare occasion in September of 2022, when my husband and I went to see Nope for our birthday (we have the same birthday, four years apart, and we’re both big fans of Key & Peele, and loved Get Out, so we were pretty stoked about Nope; IMO the chimpanzee scenes were better than the alien ones, and creepy as heck).
But so anyway, true to form, I only just watched Darren Aronofsky’s highly-acclaimed film adaptation of the play The Whale a couple of nights ago, even though it’s apparently been out since 2022?!
What finally inspired me to watch it was: well, for one, my husband recently decided to delete Netflix because they keep hiking their ridiculous prices up (guess we’ll have to temporarily resubscribe in the fall for GBBO), so, since we canceled our subscription but still had the service for a few days, and we didn’t have a show to watch that night, we decided to just scroll Netflix like “well, let’s see if we can get anything out of this while we still have it.”
And, for two, I love Brendan Fraser as much as any other millennial, and had read that this movie was like his big comeback after Hollywood did him dirty and tried to ruin him. And, for three, as we were scrolling Netflix and I saw that they had this Brendan Fraser movie that I’d read a bit about, I noticed in the description that it was directed by Darren Aronofsky, of whom I’ve been a huge fan since I first saw Pi in like 2009 or ‘10 (it was shown to my class one day during an elective I was taking called “Magic, Science, and Religion”). Black Swan was huge for me, as I’m sure it was for anyone with an ED. In fact, that was one movie that I did go out to the theater alone to see (one day when I was desperately trying to find some reason to get the hell out of my house because it was a really bad ED day, so it was perfect). So already when I saw that name I was sold.
But also, for four, I saw that, obviously, the movie deals with the issue of weight/fatness, which, as you know, is an endlessly fascinating topic to me. And it was about a writer – a writing professor, actually, and I have a fair bit of experience with those (believe it or not). Plus, it sounded like one of those quiet, character-driven stories that I’m such a simp for. So, seeing all of this in the Netflix description, I told my husband to hit play immediately.
What I did not realize before watching The Whale was that it takes place in northern Idaho, as do pretty much all of this playwright’s works. I haven’t read the play – I’m not huge on reading plays, tbh, and have never really enjoyed reading one – but I looked up Samuel D. Hunter, and I guess he lives in and writes pretty much exclusively about the Idaho Panhandle. Which, if you know me, you know I absolutely flipped out about, because a certain fictional character of mine also hails from the Idaho Panhandle (his hometown even got a mention in the movie!). In fact, some years ago, I was so intent on learning about this character’s backstory in this location, that I once flew out there solo (a long flight, from where I live) and spent two weeks just hanging around the town, exploring, sleeping at a motel, getting a feel for the place – which was super weird, objectively, because it’s not really a tourist town, and I was just a lone 25 year old woman who didn’t know a single (real) person in that town, and it was just seriously super weird, but super interesting for me. I was delighted to find that the place was exactly the way I’d seen it in my imagination – even more so, if that makes sense. The whole time I was there I kept looking around at the most mundane things and going “but of course!!”
So, yeah, I kind of have a weird passion for that whole area, and one thing I loved very much about The Whale is that it manages to capture a very strong sense of northern Idaho without once leaving that little apartment. In college, one of my most memorable courses was one called “Writing About Place,” and the professor (whom I idolized, and whom I’ve mentioned on this blog before) once said something along the lines of – I paraphrase roughly – every story is irrevocably tied to a place. It must always be true that that story could only happen in that place. You really feel that, about The Whale and northern Idaho.
The other thing I did not realize before watching this movie, but that pleasantly surprised me, was that it is very much about God and religion, as well as the ethics of sexuality and marriage: both favorite topics of mine. However: this brings me (finally) to the actual point of this blog post.
This movie was perfect, IMO. I could not stop watching it. My husband and I always watch something on TV at night after the kids are in bed, and always, if it’s a movie or a longer episode of TV, anything longer than like an hour, I need to pause it halfway through and go to bed, because I am old and tired and a mom of young kids. But this one, I could not pause. I stayed up stupidly late to finish it, and felt it the next day, but had no regrets. It was riveting and wildly entertaining and also brilliant, and forced me to experience Emotions, which I simultaneously love and hate. To say nothing of the obviously-stellar acting. All in all, flawless.
But actually there was, for me, just one flaw. And it’s not even so much a flaw of the movie itself, so much as perhaps a flaw in the understanding of the individual(s) who created it.
It’s in that scene right near the end, when Thomas shows back up to the apartment all excited because he believes he’s finally figured out why God brought him to Charlie’s place. Thomas explains to Charlie that he (Charlie) is suffering because he’s living according to the flesh (accurate), and that God wants him (Charlie) to turn to Him and allow Him to help him. And Charlie calmly debates him on this, and the conversation turns to Charlie’s deceased lover Alan, who died tragically, and it ends up reaching a point where Charlie asks Thomas: do you really think God turned His back on Alan because they (Alan and Charlie) were in love? And Thomas, with whom I’ve pretty much loosely/tentatively/conditionally agreed this whole time, thinks about it, and admits: Yes.
That’s the flaw!! I feel like the filmmaker was hereby trying to represent the POV of religious folks in general, and failed. Well, maybe certain sadly misguided Protestants out there think this, that God turns His back on sinners – but well-formed Christians know that’s not true. God never turns His back on us. As we see in the story of the Prodigal Son, God is a loving father, always waiting for us with open arms! In His mercy He has given us free will, so that we can choose to love Him. He could have just created us to be robots with no choice but to love Him, but that wouldn’t be meaningful, would it – it’d be dumb and sad, the same way it’d just be depressing and sad to be married to a robot you’d built yourself for the express purpose of loving you. I don’t know about you, but I want my spouse to freely choose me with his whole heart and mind, just as we are free to choose, or not choose, God. God does not turn His back on us. If we go to hell, it’s because we chose hell, and God in His mercy is honoring our free will, even though it saddens Him greatly when we turn away from Him. I’m clearly no catechist or apologist here, but I think this more or less sums up the correct, Catholic POV of God’s attitude toward sinners.
It’s unfortunate that the filmmaker(s) seem to think we Christians believe in a God who would abandon us for making mistakes. No wonder they resent us so much! I find myself wishing that Charlie had been approached by a Catholic, instead of whatever weird sect Thomas was supposed to belong to (in the play, he was actually Mormon, apparently, and was called Elder Thomas. How weird is that, a nineteen year old “Elder!”).
I feel like the creators have perhaps not been exposed to any real Christians. Which is sad, but unsurprising, considering that I’m pretty sure the SSPX presence in the Idaho panhandle is approximately zero. 😀
But, perhaps I misunderstood what they were doing here. Maybe they were not actually trying to comment on religion as a whole. Maybe Thomas only spoke for himself, and for that weird Mormonish flavor of Protestantism in which he was formed. Maybe, since this story is so firmly grounded in northern Idaho, it was only commenting on the particular brand of religion that’s widely available out there. But, somehow, I really got the impression that his character was meant as a symbol of Christianity in general. I wonder what you all think.
And to be fair, Thomas was, in spite of all that, portrayed pretty sympathetically, as a realistic, fleshed-out, sincere and smart human being, albeit somewhat naïve. You don’t often see that in anti-religion stories – usually, they’ll portray religious folks as shallow, stuck-up, two-dimensional idiots – so, I appreciated that. But they seemed to imply that he will eventually “outgrow” his religion. And I got the vibe that that’s what the writer(s) think about religion – that it’s something to be outgrown. Which is unfortunate.
However. I think, in trying to show that religion is wrong and bad, they actually managed to show us something true and beautiful about religion and God.
Because they did a great job of portraying sinners sympathetically, too. Charlie obviously epitomizes “living in sin” – I mean, he left his wife and child for “love,” which is an irrational, unreliable, and flesh-driven phenomenon, regardless of your sexual orientation – and yet, he is a smart, wise, and compassionate guy, and you really feel for him, and see where he is coming from. It could be said also that he is gluttony incarnate, but, I don’t think he can be held accountable for gluttony, because he’s clearly an addict and emotionally unwell. It’s like how someone who commits suicide when they’re very depressed cannot be held accountable for this terrible sin, due to their disrupted mental state. Although Charlie, like any addict, obviously carries some responsibility for getting himself into this position in the first place. But, you can understand why he did. You completely relate and sympathize (at least, I did).
And for that reason, this movie actually does a really good job of portraying God’s mercy. When a story causes you, the viewer/reader to see things from God’s POV, and you see the goodness and spark of divine in a character, no matter how disgusting that person’s behavior – you start to see them through the lens of God’s mercy – that is, I think, the mark of a really worthwhile story.
So perhaps they might have messed up in trying to portray religion, but, regardless, I personally think they did a really good job (whether intentionally or not) of making a movie that shows us something about God: something edifying and true and beautiful.